Galerie Francesca Pia

Bruno Serralongue
Pour la vie

Opening
02.09.22, 17:00 – 20:00

Exhibition
03.09.22 – 08.10.22

Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Cherri Foytlin of the Navajo Diné Nation, leader of the Bayou Bridge Pipeline opposition movement and founder of Water is life Camp. Protecting Mother Earth Conference, Wa He Lut Indian School, Olympia, Washington, July 1, 2018. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 157 x 126 x 5 cm, Ed. 1/3 + 2 AP
Cherri Foytlin of the Navajo Diné Nation, leader of the Bayou Bridge Pipeline opposition movement and founder of Water is life Camp. Protecting Mother Earth Conference, Wa He Lut Indian School, Olympia, Washington, July 1, 2018. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 157 x 126 x 5 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Inhabitants, Aguascalientes F. Gomez (Chiapas), 1996. Framed Cibachrome print mounted on aluminum, 158.5 x 129 cm, Ed. 1/3 + 2 AP
Inhabitants, Aguascalientes F. Gomez (Chiapas), 1996. Framed Cibachrome print mounted on aluminum, 158.5 x 129 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Park Jun Kyu, Hwang Yi Min, Yu Man Hyeong (in a meeting room at KCTU headquarters), Seoul, 2001. Framed Ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP
Park Jun Kyu, Hwang Yi Min, Yu Man Hyeong (in a meeting room at KCTU headquarters), Seoul, 2001. Framed Ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP
Tahar Abidi, Tunisian journalist, political refugee in France, WSIS, Geneva, December 10, 2003. Framed ilfochrome print mounted on aluminum, 158.5 x 129 cm, 1/3 + 2 AP
Tahar Abidi, Tunisian journalist, political refugee in France, WSIS, Geneva, December 10, 2003. Framed ilfochrome print mounted on aluminum, 158.5 x 129 cm, 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
For life (the Zapatista journey has already begun), Paris, May, 29, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/5 + 2 AP
For life (the Zapatista journey has already begun), Paris, May, 29, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/5 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
ZAD of Notre-Dame-des-Landes, November 5, 2016. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/3 + 2 AP
ZAD of Notre-Dame-des-Landes, November 5, 2016. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Sunday Afternoon, 1999. 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999. 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Sunday Afternoon, 1999 (detail). 57 vintage silverprints, framed, each 32 x 25 cm, Ed. 3/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Pastor Harry Joseph of Mount Triumph Baptist Church in front of his church, Saint James, Louisiana, August 7, 2017. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Pastor Harry Joseph of Mount Triumph Baptist Church in front of his church, Saint James, Louisiana, August 7, 2017. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Boubacar Diallo, elected member of the consultation committee of the ADEF residence in Saint-Ouen, led the fight for a dignified rehousing of the residents following their evacuation to allow the destruction of the residence, which is located within the perimeter of the future Olympic village, Saint-Ouen, January 23, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 2/5 + 2 AP
Boubacar Diallo, elected member of the consultation committee of the ADEF residence in Saint-Ouen, led the fight for a dignified rehousing of the residents following their evacuation to allow the destruction of the residence, which is located within the perimeter of the future Olympic village, Saint-Ouen, January 23, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 2/5 + 2 AP
Kim Sung-ok, Seoul, 2001. Framed ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP
Kim Sung-ok, Seoul, 2001. Framed ilfochrome print mounted on aluminum, 128 x 159 cm, Ed. 1/3 + 2 AP
Campfire, Calais, December 2008. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63.5 x 5 cm, Ed. 2/5 + 2 AP
Campfire, Calais, December 2008. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63.5 x 5 cm, Ed. 2/5 + 2 AP
Marcus Mitchell of the Navajo Diné Nation, shot on January 19, 2017, by a Norton County deputy sheriff at a protest against construction of the Dakota Access Pipeline in Standing Rock. Hit in the head, he lost his left eye and hearing in his left ear. Protecting Mother Earth Conference, Nisqually Nation reservation, Wa He Lut Indian School, Olympia, Washington, July 1, 2018. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Marcus Mitchell of the Navajo Diné Nation, shot on January 19, 2017, by a Norton County deputy sheriff at a protest against construction of the Dakota Access Pipeline in Standing Rock. Hit in the head, he lost his left eye and hearing in his left ear. Protecting Mother Earth Conference, Nisqually Nation reservation, Wa He Lut Indian School, Olympia, Washington, July 1, 2018. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
V Tube, Water is Life Camp, Rayne, Louisiana, July 7, 2018. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/3 + 2 AP
V Tube, Water is Life Camp, Rayne, Louisiana, July 7, 2018. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 51 x 63 x 5 cm, Ed. 1/3 + 2 AP
Jardins des Vertus, at the foot of a straw wall, Aubervilliers, May 8, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/5 + 2 AP
Jardins des Vertus, at the foot of a straw wall, Aubervilliers, May 8, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63 x 51 x 5 cm, Ed. 1/5 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020. Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020. Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020. Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020. Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020. Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Afghan refugee encampment on waste ground near the the hospital, Calais, July 16, 2020. Diptych, inkjet prints (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas boxes, each 126 x 157 x 5 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Ahmed, heading for the Jules Ferry day centre, Calais, Thursday 16 April 2015. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63.5 x 51 x 5 cm, Ed. 1/5 + 2 AP
Ahmed, heading for the Jules Ferry day centre, Calais, Thursday 16 April 2015. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 63.5 x 51 x 5 cm, Ed. 1/5 + 2 AP
'La Fanfare Climatique' (climate brass band) playing to support the occupancy of the Jardins Ouvriers des Vertus (community gardens) threatened with destruction to allow the building of a swimming pool for the Olympic Games, Aubervilliers, May 8, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/5 + 2 AP
'La Fanfare Climatique' (climate brass band) playing to support the occupancy of the Jardins Ouvriers des Vertus (community gardens) threatened with destruction to allow the building of a swimming pool for the Olympic Games, Aubervilliers, May 8, 2021. Inkjet print (Canson Baryta Photographique paper) mounted on Dibond, Plexiglas box, 126 x 157 x 5 cm, Ed. 1/5 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
La vie ici, Foyer Adef, 82 rue de Saint-Denis, Saint-Ouen, January 7, 2020 - November 6, 2021 (in the months preceding its destruction to make way for the athletes' village of the Olympic Games Paris 2024). 50 inkjet prints behind glass, each 20 x 25 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Group (road workers and villagers), 12.08.2004. Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP
Group (road workers and villagers), 12.08.2004. Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP
Group (Brickworks) Jinan, 13.08.2004. Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP
Group (Brickworks) Jinan, 13.08.2004. Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP
Group (CNHTC, Volvo Truck), Jinan, 13.08.2004. Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP
Group (CNHTC, Volvo Truck), Jinan, 13.08.2004. Framed Ilfochrome print with passe-partout, 67 x 77 cm, Ed. 1/3 + 2 AP
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Installation view, Bruno Serralongue, Pour la vie, Galerie Francesca Pia, Zurich, 2022. Photo: Cedric Mussano
Counting of the Great Crested Newt. Photograph taken during the field trip of the 'Naturalistes en lutte' (Naturalists strike back) on the ZAD of Notre-Dame-des-Landes on Sunday, April 9, 2017. Framed inkjet print (Canson Baryta Photographique paper) with passe-partout, 48.5 x 62.5 cm, Ed. 3/3 + 2 AP
Counting of the Great Crested Newt. Photograph taken during the field trip of the 'Naturalistes en lutte' (Naturalists strike back) on the ZAD of Notre-Dame-des-Landes on Sunday, April 9, 2017. Framed inkjet print (Canson Baryta Photographique paper) with passe-partout, 48.5 x 62.5 cm, Ed. 3/3 + 2 AP

Artist
Bruno Serralongue

Download
Press release (PDF)

Location

Galerie Francesca Pia
Limmatstrasse 268
8005 Zürich
Switzerland
View map

Website
https://www.francescapia.com

Published on: 05.03.25