Abbatiale Bellelay

L’Effet de serre

Opening
29.06.24, 14:00

Group exhibition
29.06.24 – 18.08.24

Jan van Oordt, Pépinière, 2024. Metal pipes, plastic panels, tarps, 700 x 500 x 2400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jan van Oordt, Pépinière, 2024. Metal pipes, plastic panels, tarps, 700 x 500 x 2400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jan van Oordt, Pépinière, 2024. Metal pipes, plastic panels, tarps, 700 x 500 x 2400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jan van Oordt, Pépinière, 2024. Metal pipes, plastic panels, tarps, 700 x 500 x 2400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Benedikt Bock, What People Want is Not What People Need (Rebekka), 2023. Cardboard, plaster, clay, wood, wig, glasses, 175 x 35 x 35 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Benedikt Bock, What People Want is Not What People Need (Rebekka), 2023. Cardboard, plaster, clay, wood, wig, glasses, 175 x 35 x 35 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view (Margaret Raspé). Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view (Margaret Raspé). Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Oh Tod wie nahrhaft du bist, 1972/3. Super-8 digitalized video, 13’25’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Oh Tod wie nahrhaft du bist, 1972/3. Super-8 digitalized video, 13’25’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Der Sadist schlägt das eindeutig Unschuldige, 1971. Super-8 digitalized video, 5’40’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Der Sadist schlägt das eindeutig Unschuldige, 1971. Super-8 digitalized video, 5’40’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Left: Benedikt Bock, What People Want is Not What People Need (Günther), 2023. Cardboard, plaster, clay, wood, wig, glasses, 160 x 43 x 43 cm. Right: Thomas Julier & Max Kriegleder, itself, 2024. Automated filing cabinet, 60 x 80 x 100 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Left: Benedikt Bock, What People Want is Not What People Need (Günther), 2023. Cardboard, plaster, clay, wood, wig, glasses, 160 x 43 x 43 cm. Right: Thomas Julier & Max Kriegleder, itself, 2024. Automated filing cabinet, 60 x 80 x 100 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Benedikt Bock, What People Want is Not What People Need (Günther), 2023. Cardboard, plaster, clay, wood, wig, glasses, 160 x 43 x 43 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Benedikt Bock, What People Want is Not What People Need (Günther), 2023. Cardboard, plaster, clay, wood, wig, glasses, 160 x 43 x 43 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Virginie Sistek, Foutue foule, 2024. Wool, wood, beeswax, 150cm x 400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Virginie Sistek, Foutue foule, 2024. Wool, wood, beeswax, 150cm x 400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Detail of Virginie Sistek, Foutue foule, 2024. Wool, wood, beeswax, 150cm x 400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Detail of Virginie Sistek, Foutue foule, 2024. Wool, wood, beeswax, 150cm x 400 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Virginie Sistek, Pâtis Tidiness, 2023. Video, 15’03’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Virginie Sistek, Pâtis Tidiness, 2023. Video, 15’03’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Fmaily Work:Travail Fmailial, 2023. Video, 20’30’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Fmaily Work:Travail Fmailial, 2023. Video, 20’30’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Fmaily Work:Travail Fmailial, 2023. Video, 20’30’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Fmaily Work:Travail Fmailial, 2023. Video, 20’30’’. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Bébé, 2021. Painted metal, silicon, 92 x 81 x 52 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Bébé, 2021. Painted metal, silicon, 92 x 81 x 52 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Benedikt Bock, What People Want is Not What People Need (Kim), 2023. Cardboard, plaster, clay, wood, wig, glasses, 175 x 40 x 40 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Benedikt Bock, What People Want is Not What People Need (Kim), 2023. Cardboard, plaster, clay, wood, wig, glasses, 175 x 40 x 40 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Emilie Ding & Alizée Lenox, Le paradis n’est que l’horizon de la traversée, Multichannel sound piece with various speakers. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Emilie Ding & Alizée Lenox, Le paradis n’est que l’horizon de la traversée, Multichannel sound piece with various speakers. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Front: Thomas Julier, Aftermath, 2024. Laquered PLA, 400 x 400 cm. Back: Claire van Lubeek, Household Haunters, 2024. Various cleaning tools and sticks, variable dimensions. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Front: Thomas Julier, Aftermath, 2024. Laquered PLA, 400 x 400 cm. Back: Claire van Lubeek, Household Haunters, 2024. Various cleaning tools and sticks, variable dimensions. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Léa Katharina Meier, Paysage baigné de sueur, 2023. Pastels on paper, 42 × 59,4 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Léa Katharina Meier, Paysage baigné de sueur, 2023. Pastels on paper, 42 × 59,4 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view (Léa Katharina Meier). Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view (Léa Katharina Meier). Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Fünfundneunzig blau blühende Säulen, 1982. Polaroid documentation. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Fünfundneunzig blau blühende Säulen, 1982. Polaroid documentation. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Father Polysexual, 2019. Aluminum, father’s work pants, paper cigarettes, plastic, 73 x 80 x 25 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Father Polysexual, 2019. Aluminum, father’s work pants, paper cigarettes, plastic, 73 x 80 x 25 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Claire van Lubeek, Household Haunters, 2024. Various cleaning tools and sticks, variable dimensions. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Claire van Lubeek, Household Haunters, 2024. Various cleaning tools and sticks, variable dimensions. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Bi-bi, 2023. Epoxy, tarbender, urine, 230 x 35 x 40 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Bi-bi, 2023. Epoxy, tarbender, urine, 230 x 35 x 40 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Bi-bi, 2023. Epoxy, tarbender, urine, 230 x 35 x 40 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Jean-Charles de Quillacq, Bi-bi, 2023. Epoxy, tarbender, urine, 230 x 35 x 40 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Claire van Lubeek, Household Haunters, 2024. Various cleaning tools and sticks, variable dimensions. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Claire van Lubeek, Household Haunters, 2024. Various cleaning tools and sticks, variable dimensions. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Richard Frater, Invitation Dilemma (Robin, Fågelmuseet, Ottenby), 2022. Archival print; Digital scan of 35mm color film, 26 x 40 cm. Invitation Dilemma (Wood pigeon, Akademie der Künste, Hansaviertel), 2022. Silver gelatin print from 35mm film, 18 x 25 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Richard Frater, Invitation Dilemma (Robin, Fågelmuseet, Ottenby), 2022. Archival print; Digital scan of 35mm color film, 26 x 40 cm. Invitation Dilemma (Wood pigeon, Akademie der Künste, Hansaviertel), 2022. Silver gelatin print from 35mm film, 18 x 25 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Richard Frater, Invitation Dilemma (Robin, Fågelmuseet, Ottenby), 2022. Archival print; Digital scan of 35mm color film, 26 x 40 cm. Invitation Dilemma (Wood pigeon, Akademie der Künste, Hansaviertel), 2022. Silver gelatin print from 35mm film, 18 x 25 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Richard Frater, Invitation Dilemma (Robin, Fågelmuseet, Ottenby), 2022. Archival print; Digital scan of 35mm color film, 26 x 40 cm. Invitation Dilemma (Wood pigeon, Akademie der Künste, Hansaviertel), 2022. Silver gelatin print from 35mm film, 18 x 25 cm. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
L’Effet de serre, Abbatiale Bellelay, exhibition view. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Terre Thaemlitz, Soulnessless, 2012. Video SD 4:3, 80. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Terre Thaemlitz, Soulnessless, 2012. Video SD 4:3, 80. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Fünfundneunzig blau blühende Säulen, 1982 (2024). Buckets, compost, mesh, seeds, 10 m. diameter. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Margaret Raspé, Fünfundneunzig blau blühende Säulen, 1982 (2024). Buckets, compost, mesh, seeds, 10 m. diameter. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Detail of Margaret Raspé, Fünfundneunzig blau blühende Säulen, 1982 (2024). Buckets, compost, mesh, seeds, 10 m. diameter. Photo credit: Sebastian Verdon / Abbatiale Bellelay
Detail of Margaret Raspé, Fünfundneunzig blau blühende Säulen, 1982 (2024). Buckets, compost, mesh, seeds, 10 m. diameter. Photo credit: Sebastian Verdon / Abbatiale Bellelay

Artists
Benedikt Bock, Emilie Ding, Jan van Oordt, Jean-Charles de Quillacq, Léa Katharina Meier, Margaret Raspé, Thomas Julier, Virginie Sistek, Alizée Lenox, Richard Frater, Max Kriegleder, Claire van Lubeek, Terre Thaemlitz

Curator
Sylvain Menétrey

Location

Abbatiale Bellelay
2713 Bellelay
Switzerland
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Website
http://www.abbatialebellelay.ch

Published on: 30.07.24